1 00:00:05,030 --> 00:00:01,640 very interesting thanks for showing us 2 00:00:06,619 --> 00:00:05,040 around today thank you I'm here in the 3 00:00:08,150 --> 00:00:06,629 Marshall TV studio where the manager 4 00:00:12,110 --> 00:00:08,160 George Baker was supposed to meet me 5 00:00:13,789 --> 00:00:12,120 here nice entrance George Lori welcome 6 00:00:15,020 --> 00:00:13,799 to the television studio yeah you do a 7 00:00:17,180 --> 00:00:15,030 lot of neat things here tell me about 8 00:00:19,189 --> 00:00:17,190 your department Lori the television 9 00:00:21,620 --> 00:00:19,199 department is a part of avis audio 10 00:00:24,230 --> 00:00:21,630 visual information services which is a 11 00:00:27,140 --> 00:00:24,240 part of the CIO office and avis 12 00:00:30,019 --> 00:00:27,150 encompasses imaging services multimedia 13 00:00:32,540 --> 00:00:30,029 services graphics and television and 14 00:00:33,950 --> 00:00:32,550 within the television Department some of 15 00:00:37,100 --> 00:00:33,960 the products and services that we 16 00:00:39,740 --> 00:00:37,110 produce is video documentation live 17 00:00:41,900 --> 00:00:39,750 shots video files scripted video 18 00:00:43,700 --> 00:00:41,910 productions and some special projects 19 00:00:45,529 --> 00:00:43,710 that just focus on Marshall yeah I'm 20 00:00:47,090 --> 00:00:45,539 kind of partial to that one and you also 21 00:00:49,279 --> 00:00:47,100 do press briefings right here in the 22 00:00:51,410 --> 00:00:49,289 studio yes this is the place where we do 23 00:00:53,360 --> 00:00:51,420 lab press briefings or laughs to take 24 00:00:55,340 --> 00:00:53,370 press briefings this staging area 25 00:00:58,670 --> 00:00:55,350 actually can be converted with the Dyess 26 00:01:00,139 --> 00:00:58,680 and it turns into a briefing set I also 27 00:01:01,970 --> 00:01:00,149 want to see the cool stuff in here too 28 00:01:04,219 --> 00:01:01,980 well Lori let me show you some really 29 00:01:07,039 --> 00:01:04,229 fascinating technology the green screen 30 00:01:09,859 --> 00:01:07,049 which is known as the chroma key set now 31 00:01:12,100 --> 00:01:09,869 this particular technology you may be 32 00:01:14,660 --> 00:01:12,110 familiar with by just watching the news 33 00:01:16,670 --> 00:01:14,670 watching the weather on the news of God 34 00:01:18,679 --> 00:01:16,680 this is how they do that they actually 35 00:01:20,149 --> 00:01:18,689 take the green screen put the weatherman 36 00:01:22,070 --> 00:01:20,159 in front of a green screen and then 37 00:01:24,410 --> 00:01:22,080 replace that green screen with a 38 00:01:26,300 --> 00:01:24,420 background and it's very common 39 00:01:28,190 --> 00:01:26,310 throughout the media industry what kinds 40 00:01:30,590 --> 00:01:28,200 of backgrounds you put here well 41 00:01:32,450 --> 00:01:30,600 sometimes we can put moonscapes for an 42 00:01:34,760 --> 00:01:32,460 example and we can also put some of the 43 00:01:37,910 --> 00:01:34,770 constellations the COV projects we can 44 00:01:39,649 --> 00:01:37,920 keep all those type of backgrounds and 45 00:01:40,910 --> 00:01:39,659 as long as I'm not wearing green I'll be 46 00:01:41,929 --> 00:01:40,920 all right cuz I would be invisible if I 47 00:01:44,359 --> 00:01:41,939 was wearing green you were completely 48 00:01:45,710 --> 00:01:44,369 disappear sometimes people would like to 49 00:01:47,420 --> 00:01:45,720 hear that but let's go see what else you 50 00:01:48,830 --> 00:01:47,430 have well let's go across the hostage 51 00:01:50,810 --> 00:01:48,840 well George now we've moved to quite an 52 00:01:53,030 --> 00:01:50,820 impressive facility lots of TVs and what 53 00:01:54,679 --> 00:01:53,040 looked like VCRs to me what are you 54 00:01:56,719 --> 00:01:54,689 doing this room Laura this is our 55 00:01:58,760 --> 00:01:56,729 recording and duplication facility in 56 00:02:01,370 --> 00:01:58,770 this room we record everything from 57 00:02:03,170 --> 00:02:01,380 high-definition 28 millimeter this is 58 00:02:05,719 --> 00:02:03,180 the room that we record all the mission 59 00:02:08,389 --> 00:02:05,729 highlights during flight as well this is 60 00:02:11,210 --> 00:02:08,399 also the area if a customer requests a 61 00:02:13,020 --> 00:02:11,220 playback for example a safety video this 62 00:02:14,970 --> 00:02:13,030 is where that activity will take 63 00:02:16,949 --> 00:02:14,980 place and also if we send service 64 00:02:18,600 --> 00:02:16,959 request in for maybe copies of some 65 00:02:20,610 --> 00:02:18,610 program or event this is where you do 66 00:02:22,800 --> 00:02:20,620 that too right absolutely if a customer 67 00:02:25,170 --> 00:02:22,810 requires a copy of a video tape or a DVD 68 00:02:27,030 --> 00:02:25,180 this is where that service request is 69 00:02:28,559 --> 00:02:27,040 taken care of this is where you do the 70 00:02:29,940 --> 00:02:28,569 recording but is there a place where you 71 00:02:31,020 --> 00:02:29,950 actually edit all this together is that 72 00:02:32,820 --> 00:02:31,030 a different room that's our 73 00:02:34,740 --> 00:02:32,830 state-of-the-art edit suites let's go 74 00:02:37,170 --> 00:02:34,750 there now Lori this is a 75 00:02:39,559 --> 00:02:37,180 state-of-the-art production control room 76 00:02:42,600 --> 00:02:39,569 in this facility is where we actually 77 00:02:45,509 --> 00:02:42,610 produce and switch all of the live 78 00:02:47,880 --> 00:02:45,519 programs that we do for closed-circuit 79 00:02:49,560 --> 00:02:47,890 television or desktop TV now you say 80 00:02:51,600 --> 00:02:49,570 switching what does that mean switchin 81 00:02:54,600 --> 00:02:51,610 is a process that goes through this 82 00:02:58,009 --> 00:02:54,610 video mixer and all of the sources are 83 00:03:00,509 --> 00:02:58,019 fed to this video mixer cameras VTR s 84 00:03:02,340 --> 00:03:00,519 computer so forth and so on and the 85 00:03:04,920 --> 00:03:02,350 director sits here and punches each 86 00:03:07,229 --> 00:03:04,930 button which puts out a feed to 87 00:03:09,420 --> 00:03:07,239 closed-circuit television for example 88 00:03:11,100 --> 00:03:09,430 like the things at the recent crew visit 89 00:03:12,690 --> 00:03:11,110 you saw camera people there and all but 90 00:03:14,009 --> 00:03:12,700 there's someone sitting here punching at 91 00:03:15,780 --> 00:03:14,019 which camera they want right right 92 00:03:17,310 --> 00:03:15,790 there's a director in this room and 93 00:03:19,259 --> 00:03:17,320 there's a producer in this room there's 94 00:03:20,610 --> 00:03:19,269 camera operators and more sort of 95 00:03:22,620 --> 00:03:20,620 touring then there's also a floor 96 00:03:25,319 --> 00:03:22,630 manager and when you mix all of those 97 00:03:27,960 --> 00:03:25,329 sources together the director punches 98 00:03:29,910 --> 00:03:27,970 the button and sends it out and you also 99 00:03:32,250 --> 00:03:29,920 have to put all that together then right 100 00:03:35,190 --> 00:03:32,260 Lori we use state-of-the-art production 101 00:03:37,500 --> 00:03:35,200 editing facilities we have three Final 102 00:03:39,690 --> 00:03:37,510 Cut Pro edit Suites and we have one high 103 00:03:42,090 --> 00:03:39,700 definition at it sweet this is the 104 00:03:44,400 --> 00:03:42,100 assembly phase of the product and this 105 00:03:46,920 --> 00:03:44,410 is where focus on Marshall is also being 106 00:03:49,949 --> 00:03:46,930 produced and edited in one of these edit 107 00:03:51,690 --> 00:03:49,959 Suites and also you have a team that has 108 00:03:54,330 --> 00:03:51,700 to do all of this and I see that you've 109 00:03:56,729 --> 00:03:54,340 won quite a few awards around here Lori 110 00:03:59,310 --> 00:03:56,739 I'm very proud of our team we are an 111 00:04:01,770 --> 00:03:59,320 award winning team and over the recent 112 00:04:03,930 --> 00:04:01,780 years we won several telly awards eddie 113 00:04:05,550 --> 00:04:03,940 awards and we've also had an Emmy 114 00:04:06,630 --> 00:04:05,560 nomination for a program that we 115 00:04:08,699 --> 00:04:06,640 produced here at the Marshall Space 116 00:04:09,330 --> 00:04:08,709 Flight Center and never for your focus 117 00:04:10,979 --> 00:04:09,340 on Marshalls going 118 00:04:12,570 --> 00:04:10,989 wear them all I agree with you one 119 00:04:13,949 --> 00:04:12,580 hundred percent thanks for having us and 120 00:04:17,610 --> 00:04:13,959 showing us around today George and thank 121 00:04:19,620 --> 00:04:17,620 you for inviting well that's about it